Bibliography for Katherine Brook’s Suddenly Last Summer

Georges Didi-Huberman, The Invention of Hysteria: Charcot and the Photographic Iconography of Salpêtrière, trans. Alisa Hartz (Cambridge, MA: MIT Press, 2004).


Asti Husvedt, Medical Muses: Hysteria in Nineteenth-Century Paris (New York: W. W. Norton, 2011).


Michel Foucault, The History of Sexuality, trans. Robert Hurley (New York: Vintage, 1990).


Sigmund Freud, Dora: An Analysis of a Case of Hysteria (1905).


Michael Paller, Gentlemen Callers: Tennessee Williams, Homosexuality, and Twentieth-Century Drama (New York: Palgrave Macmilliam, 2005).

Anne Fleche, “When the Door is a Jar, or Out In the Theatre: Tennessee Williams and Queer Space,” Theatre Journal 47 (1995), 253-276.

Lee Edelman, No Future: Queer Theory and the Death Drive (Durham, NC: Duke University Press, 2004).

D. A. Miller, “On the Universality of Brokeback,” Film Quarterly 60.3 (2007).




Medical Muses, Blanche chapter (sorry this one's on it's side!):


“flashbulb memories” for their extraordinary vividness of detail and photographic recall, these emotionally charged memories are described as being “burned” into one’s mind.
How the Brain Remembers 9/11

Brokeback article:

Hypnotism/theatre:
Confession/sex:
Suddenly Last Summer scanned Dramatists Play Service version:
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